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Technical introduction:
Mounting the embroidery frame
Transfer of the design to the fabric
Needle work:
Beginning stitch, barring stitch
Applying beads and ornaments
Satin stitch
Lunéville hook:
Beginning stitch, barring stitch
Chain stitch
Applying sequins and tubes
Chain stitch filling
Treatment of the back of the embroidery
after the embroidery is completed
Technical introduction:
Mounting the embroidery frame
Transfer of the design to the fabric
Needle work:
Starting point, stopping point
Apply beads and ornaments
Lattice model
Lunéville hook:
Starting point, stopping point
Chain stitch
Application of sequins and tubes
Chain stitch fill
Hem folding technique
Padding
Taut leather technique
Treatment of the back of the embroidery
after the embroidery is completed
Technical introduction:
Mounting the embroidery frame
Transfer of the design to the fabric
Needle work:
Beginning stitch, barring stitch
Flat stitch
Applying jewelry
Short and long and encroaching satin stitch
Applications of chenille and raphi
Lunéville hook:
Beginning stitch, barring stitch
applying faceted sequins and tubes
Chain stitch filling
Treatment of the back of the embroidery
after the embroidery is completed
Technical introduction:
Mounting the embroidery frame
Transfer of the design to the fabric
Needle work:
Applying metal embroidery thread
Applying fancy beads
Applying jewelry
Lunéville hook:
Filling in with a reverse chain stitch
Applying beads in a pattern and randomly
Applying irregular pearl
Applying sequins
Technical introduction:
Needle work:
Cotton padding with the boulogne stitch
Cotton padding with the metal thread
Applying soutache
Satin stitch
Sewing fancy jewelry
Lunéville hook:
Applying vermicelli and beads in a row
Embroidery of sequins and tubes
Hem folding technique to make wings
Technical introduction:
Needle work:
Stitching standing braid, fancy braid and soutache
Designing 3d flowers, lacing, braid or strip, in back and forth
Hemfolding technique and leaf lining
Re-applying embroidered leaves in relief
Sewing "diamond" string
Cotton padding with the chenille
Applying velvet fabric
Lunéville hook:
Applying tubes, beads and sequins on opaque fabric
Tubes with tight backstitch
Applying sequins in relief
Applying vermicelli sequins
Applying feather
Applying gold fabric
Applicazione di tessuto georgette
Technical introduction:
Needle work:
Wrinkled leather
Taut leather technique
Applying faux fur
3D production method of deer, mushroom and bow
Sewing sequins and beads
Lunéville hook:
Padding with fabric
Application of tubes and beads in a row
Tight backstitching of tubes and beads on padding and flat
Technical introduction:
Needle work:
Wrinkled leather
Taut leather technique
Cotton padding
Make 3d letters
Sewing fancy jewelry
Sewing zardozi material
Hemfolding technique
Lunéville hook:
Sewing "diamond" string
Padding with fabric
Application zardozi
Hello everyone, my name is Li Youlin, and I am an embroidery teacher.
My first wish was to become a fashion designer; many years ago I came to Milan, a city known as the "fashion capital", and I started my learning path of "fashion design".
During the learning course , I was attracted by the French “haute couture” and the shining costumes covered with shiny pearls and sequins that make the clothing no longer an ordinary commodity, but a unique work of art in the world, and it is the “luneville embroidery” which completes this magical transformation.
In 2019 I went to France and my professional training was at the “Lesage de Paris” school, owned by Chanel, where I specialized in Luneville haute couture embroidery.
After more than 2 years of professional study, I fell deeply in love with this technique and I decided to start designing and creating my own embroidery courses and realize my dream of “moving” Lesage to Milan in Italy.
The courses are two points, one amateur and the other professional.
The first is aimed at those who love to embroider as a hobby; the second, however, is aimed at those who would like to use a working level.
The professional courses are divided into eight levels dedicated to professional garment workers, each of which uses different materials and embroidery techniques, so that the students can really enrich their skills.
To conclude, I confirm that “LUNEVILLE ”is really a technique that can be used not only for clothing, but also for making decorations, jewels and so on.
My studio will gladly welcome anyone interested in my proposals.